Mass graves are an all-too-frequent legacy of conflict and human rights abuses. This short, animated film shows the process of mass grave protection and investigation from the perspective of victims鈥� families. It reflects the overwhelming need to know the fate and whereabouts of loved ones, experiences of engagement with the forensic investigative process and the significance of having mortal remains returned for dignified commemoration.
成人直播 the project
The aim of the film is to reach audiences who are directly affected by mass grave exhumations around the world: family members of the missing and the wider public within affected States.聽 Through the use of a short, non-verbal, animated film, 鈥淩esolution"聽gives voice to the experiences of family members of the missing, and humanises聽the聽statistical, judicial and forensic facets of mass grave recovery.
Mass graves are a global phenomenon, and the team hope that the film that is universally relevant and applicable to multiple mass grave locations and contexts. The project was聽led by the authors of the , a set of international standards for the lawful, respectful and effective handling of mass graves and the human remains they contain. The animation sits alongside the Protocol, although stands on its own as a free-to-access piece that serves聽as an educational and victim-advocacy tool.
The Protagonists
Wadad: her husband is taken from their home by security forces as they celebrate his birthday
Wissam, a blogger: their partner is taken by state agents while they speak onlineThe methodology
The tenor of the film聽is intended to be universal, such that families around the world who are missing loved ones, where their remains may be located in a mass grave, can recognise their own experiences in it. In order to ensure universality of the narratives identified and used in the film, project leads Dr Ellie Smith and Dr Melanie Klinkner have liaised with survivors, project partners, intermediaries, expert practitioners, civil society organisations and victim groups in many countries, including Rwanda, Kosovo, Bosnia, Guatemala and Iraq.
To ensure that the 鈥渧oices鈥� offered in the film are authentic, the stories portrayed in the animation are informed by the real-life emotional and practical experiences of families of the missing and those directly affected by mass graves.
The artists
Lina Ghaibeh聽is聽a half Syrian half Danish聽animation and comics artist living in Beirut. She is an聽associate professor at the American University of Beirut, and director of the聽Mu鈥檛az and Rada Sawwaf Arabic Comics initiative聽at AUB.
Her research focuses on Comics from the Arab world, and her creative works have been part of several international, regional and local animation festivals and exhibitions. Her animation shorts explore issues Identity & belonging with Beirut as a site of inspiration. Lina is an identical twin, the evil one.
George Khoury聽(JAD)聽is an artist, author, critic, and educator based in Beirut, Lebanon.聽Considered a pioneer of the art of comics in the Arab world, he published the first graphic novels for adult readers in the region (鈥楥arnaval鈥� and 鈥楩reud鈥�, 1981/82).
His work forms part of the collection of the Comics Museum in Angoul锚me (Mus茅e de la Bande Dessin茅e). He has won several awards, most recently the Mahmoud Kahil award for lifetime achievement (Lebanon, 2019).
He has been the director of the animation department聽at the Future Television Network for over 27 years, lectures in various institutions and is co-founder of the 鈥楲ebanese Syndicate of Professional Graphic Designers, Illustrators and Animators鈥�. He is the author of the 鈥楬istory of Arabic Comics鈥�.